Soapbox 7.0

Deadline: April 30, 2025

To feel like we belong is one of our most common desires. Our bodily relation to home is not a simple one: it is marked by hostile power structures. These structures plunge the body into an interconnected web of demarcations, mediations, and hierarchisation, which determine one’s ability or failure to feel at home. Race, gender, ability, and class are factors that designate one’s sense of home. Labels further differentiate between bodies, some rendered political (“immigrant,” “refugee”), while others insidiously a-political (“expat”). How do we think with the body in ways that address its complicated relationship to home? What are the ways to engage with our bodily positionalities that may allow for a more equitable habitation?

Thinking with aestheSis that privileges sensing over totalising reasoning of aestheTics, María Lugones sees the body through its permeability, which “allows us to reconceive about the world we live in.” Turning towards the sensorial relationality, we discover that the fixed, man-made, ‘rational’ lines that demarcate home and body as separate, contain leaks. Leaks that bring the body home. For its eighth issue, Soapbox: Journal for Cultural Analysis invites (young) researchers, (established) scholars, and creatives alike to submit works that consider practices, experiences, and methodologies that uncover punctures and cavities of structures, lines, boundaries, and borders. What seeps, spills, or flows through these holes? What exists in between home and body that informs who and where we are? What are the moments when the body and home are torn apart? And when do they collapse into one?

Decolonial theory offers one perspective from which we can explore the leaks between homes and bodies. For non-Western subjects, when one has seen oneself as the Other through Western eyes, the decolonial journey begins to return to one’s bodies and homes. Quijano teaches us that the relationship between European and other cultures is one of “subject” and “object,” while Tlostanova, in her seminal paper “Can the Post-Soviet Think?,” reminds us that inventing theory “remains a privilege of the West.” Nevertheless, these man-made divisions only appear as stable and can be questioned through embodied relationality that allows “communities and social movements to defend their territories and worlds against the ravages of neoliberal globalization” (Escobar). Lugones calls for “a resistant permeable sensing” (Calderon). Vasquez speaks of worldhood and earth-hood, the possibility of being at home in and with others and with Earth that stands in opposition to the homelessness of modernity’s artifice. Taking a decolonial lens on Merleau-Ponty’s flesh and Barthes’s notion of punctum, Ortega argues that Latinx art carnally pierces with love that frees from dominant knowledges. Finally, Anzaldúa asks us to stay with the border and perceive it as a wound that offers hybridity.

other possible access points:‍

affective leaks

Sarah Ahmed writes that “being-at-home suggests that the subject and space leak into each other”: home becomes a second skin that allows for a receptive touch. What does it mean to feel at home, and how does the body sense home? Rather than spatiotemporal, can home become an emotion?

phenomenological leaks

Merleau-Ponty’s phenomenological attention to the in-between of the body and the world that gives form to a chiasmatic flesh has long entertained cultural scholars, with Baker and Sobchak contributing to understanding cinema as tactile. How can the phenomenological attention to bodies and the world inform our understanding of home?

architectural leaks

Architecture architectures—or builds—a predetermined relationship between subject and structure. Dwellings provide shelter just as much as they violently enclose. Ingold advocates a dwelling perspective that argues it is the surroundings that shape the mind and not the opposite. Where does the body stop and the city start?

posthuman leaks

In Tuana’s concept of viscous porosity, it is the membrane that facilitates the interactions. In what way do the permeable borders mimic membranes when choosing who to accept and who to refuse? Re-thinking the neoliberal ideal, can a better future exist within the membrane?

leaks and memory studies

How do forms of violence pertain to what Ann Laura Stoler theorizes as ‘disabled’ and ‘dissociated’ histories? What does it mean to be-long in that what no-longer exists or never existed? How does nostalgia entail a violent form of be-longing that implicates the present? (Boym).

leaks in everyday life

Marxist sociologist-philosopher Henri Lefebvre tells us that “a revolution will come about when, and only when, people can no longer live their everyday lives.” A leakage, a failure of infrastructure, may precisely set such a process in motion. At what point—while cooking, walking the dog, showering, seeing friends—do we notice the droplets dripping from the ceiling, forming a deep puddle in the centre of the living room?

the details:

We are inviting extended proposals in MLA formatting and referencing style to be submitted to submissions@soapboxjournal.net by April 30th, 2025. Each proposal must include an abstract of 300-500 words and a brief outline of the content and its order (up to 200 words, can be in bullet points!). The outline is meant to indicate the intended structuring and weighing of the various elements of your text; we understand and expect that this will change again during drafting and editing. Submissions should be sent as a file attachment to the email, and the file's content should be anonymised.

Guidelines for creative submissions are more flexible. They can be finished works, word-based or otherwise, but please keep in mind our spatial limitations: we publish and print in book format, and we have a limited number of pages to give to each submission. This year, we are also open to visual submissions (excluding moving image), provided they are accompanied by an artistic statement and an explanation of how the work connects to the theme. A sense of the formatting possibilities can be garnered from previous issues and our Instagram (open-access PDF versions are available on our website).

We will try to send out conditional acceptance emails by May 23rd. Upon acceptance, the authors of the academic essays will be asked to submit a 4000-6000-word full draft by August 25th. The editing and publishing process will span the next academic year (September 2025 - February 2026).

It would be very helpful if you could let us know in your email where you saw our CFP. If you have any questions regarding your submission, do not hesitate to contact us at submissions@soapboxjournal.net.

works referenced

Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. Aunt Lute Books, 1987.

Escobar, Arturo. Designs for the Pluriverse: Radical Interdependence, Autonomy, and the Making of Worlds. Duke University Press, 2018.

Meda Calderon, Denise. “Decolonial Movidas: María Lugones’s Notion of Decolonial Aesthesis through Cosmologies.” The Pluralist, vol. 18, no. 1, 2023, pp. 22–31, https://doi.org/10.5406/19446489.18.1.03.

Ortega, Mariana. Carnalities. Duke University Press, 2024.

Quijano, Aníbal. “Coloniality and Modernity/Rationality.” Cultural Studies, vol. 21, no. 2-3, 2007, pp. 168–178, https://doi.org/10.1080/09502380601164353.

Tlostanova, Madina. “Can the Post-Soviet Think? On Coloniality of Knowledge, External Imperial and Double Colonial Difference.” Intersections, vol. 1, no. 2, 2015, pp. 38-58, https://doi.org/10.17356/ieejsp.v1i2.38.

Vazquez, Rolando. “Precedence, Earth and the Anthropocene: Decolonizing Design.” Design Philosophy Papers, vol. 15, no. 1, 2017, pp. 77-91, https://doi.org/10.1080/14487136.2017.1303130.

further suggestions

Ahmed, Sara. “Home and Away: Narratives of Migration and Estrangement.” International Journal of Cultural Studies, vol. 2, no. 3, 1999, pp. 329–347, https://doi.org/10.1177/136787799900200303.

Alaimo, Stacy. Bodily Natures: Science, Environment, and the Material Self. Indiana University Press, 2010.

Barker, Jennifer M. The Tactile Eye: Touch and the Cinematic Experience. University Of California Press, 2009.

Boym, Svetlana. The Future of Nostalgia. Basic Books, 2001.

Deleuze, Gilles and Tom Conley. The Fold: Leibniz and the Baroque. University Of Minnesota Press, 2012.

Fisher, Mark. “What Is Hauntology?” Film Quarterly, vol. 66, no. 1,2012, pp. 16–24, 2012, https://doi.org/10.1525/fq.2012.66.1.16.

Ingold, Tim. The Perception of the Environment. Routledge, 2000.

Merleau-Ponty, Maurice. The Visible and the Invisible. Translated by Alphonso Lingis, edited by Claude Lefort, Northwestern University Press, 1968.

Mogoș, Petrică and Laura Naum. “On Easternfuturism: Imagining Multiple Futures.” Kajet Journal, no. 05, 2022.

Lefebvre, Henri. Everyday Life in the Modern World. Translated by Sacha Rabinovitch, Harper & Row, 1971.

Parvulescu, Anca. “Eastern Europe as Method.” The Slavic and East European Journal, vol. 63, no. 4, 2019, pp. 470-481, https://doi.org/10.30851/634002.

Rancière, Jacques. The Politics of Aesthetics. Edited by Gabriel Rockhill, Bloomsbury Academic, 2004.

Rigney, Ann. “Remaking Memory and the Agency of the Aesthetic.” Memory Studies, vol. 14, no. 1, 2021, pp. 10–23, https://doi.org/10.1177/1750698020976456.

Sobchack, Vivian. Carnal Thoughts: Embodiment and Moving Image Culture. University Of California Press, 2004.

Stoler, A. L. “Colonial Aphasia: Race and Disabled Histories in France.” Public Culture, vol. 23, no. 1, 2011, pp. 121–156, https://doi.org/10.1215/08992363-2010-018.

Toop, David. Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. Serpent’s Tail, 2001.

Tuana, Nancy. “Viscous Porosity: Witnessing Katrina.” Material Feminisms, edited by Susan Hekman and Stacy Alaimo, Indiana University Press, 2008.