ECREA WEEKLY digest ARTICLES

Alessandro D’Arma, Andrea Esser, Jeanette Steemers

Screen Encounters with Britain explores how global streaming platforms are reshaping viewing patterns and audience encounters, using the circulation, consumption and reception of British films and TV shows in European markets as a case study.

Focusing on young audiences in Denmark, Germany, Italy and the Netherlands, the book provides original audience insights drawing on a wide range of methods, including a survey, digital diaries and interviews and offers a critical perspective on the evolving nature of young audiences' engagement with longform screen content. The evidence presented points towards re-asserted Anglo-American dominance, driven by the power of large US-owned platforms and English as the language of advantage. Building on these findings, the book challenges established theory around the ‘home advantage’ of domestic media and rethinks linguistic and cultural proximity. 

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.

PURCHASE HERE

DOWNLOAD HERE

September 15-17, 2026

Hamburg, Germany 

Dear colleagues,

We are pleased to share that the preliminary programme for SEASON 2026 is now available. 

SEASON (the Search Engines and Society Annual Conference) is an interdisciplinary conference series examining search engines as cultural, societal, political, and technical artefacts, and their role in everyday practices.

On behalf of the Search Engines and Society Network, we invite you to join us for the 2026 edition, to be held at HAW Hamburg, Germany, from 15–17 September 2026.

Following the success of SEASON 2025, which brought together an engaged and diverse international community of researchers, practitioners, and students, this year's edition continues SEASON's mission as a dedicated conference series for critical and interdisciplinary research on search engines and their societal implications. 

The three-day programme features keynotes, paper presentations, posters, and interactive sessions, including: 

- Political bias and elections

- Everyday practice and communities

- Literacy and education

- AI overviews and trust

- Health and high-stakes information

- AI answers, podcasts, and behaviour

- Methods and infrastructure

- SEO, GEO, and visibility

- Critical and theoretical perspectives

The programme also includes a poster session, conference dinner, a SEASON community meeting, a film screening, and a dedicated workshop day on 17 September covering tools and methods for search engine research.

Keynote speakers:

- Prof. Dr. Thomas Höppner (Geradin Partners) : "Impact of Search Engines on Society: Lessons from Antitrust Cases"

- Prof. Dr. Katrin Weller (GESIS: Leibniz Institute for the Social Sciences & Heinrich Heine University Düsseldorf) :"From Regulation to Research: Navigating the Digital Services Act's Article 40 in Search Studies"

Now that the programme is out, registration is open, with early bird rates available until 1 August 2026 (€200 regular / €100 student). From 2 August 2026, standard rates apply (€250 regular / €150 student).

Please find the full programme here: https://easychair.org/smart-program/SEASON2026/

Register for SEASON 2026 via EasyChair: https://easychair.org/my/conference?conf=season2026 

SEASON 2026 Website: https://searchenginesandsociety.net/season-2026/

We look forward to welcoming you in Hamburg.

With best regards,

The SEASON 2026 Organizing Team

Convergence: The International Journal of Research into New Media Technologies (Special issue)

Deadline: October 1, 2026

Guest Editors: Yingwen Wang (London College of Communication, University of the Arts London, UK); Dr. Hui Lin (King’s College London, UK); Dr Zoetanya Sujon (London College of Communication, University of the Arts London, UK); Dr Rafal Zaborowski (King’s College London, UK)

Full CFP: https://journals.sagepub.com/page/con/call-for-papers/algorithmic-sociality?_gl=1*1grcp7y*_up*MQ..*_ga*MTkxODIwMTg4Ny4xNzgzNDk4OTMz*_ga_60R758KFDG*czE3ODM0OTg5MzIkbzEkZzEkdDE3ODM0OTkwMzEkajU3JGwxJGgxMjE5MjI2ODMx

Across the social media landscape, platform architectures are increasingly organised around algorithmic recommendation systems. Platforms such as TikTok, Douyin, Instagram, X, Spotify, YouTube, Tinder and Substack curate users’ experiences through algorithmic recommendations of content, people and cultural objects decoupled from users’ networks and explicit choices. This marks a significant departure from earlier forms of social media centred on self-presentation, the social graph, mutual following and networked publics (boyd, 2010). In recommendation-driven environments, encounters with unfamiliar others are generated, ranked and governed through platform systems, transforming the conditions under which social ties form and are maintained.

This special issue proposes algorithmic sociality as a concept for understanding how recommendation systems reconfigure social relations. Building on scholarship on programmed sociality, the algorithmic self, platformed connection and the contested meaning of “the social” in social media, the issue asks what happens to social relations when the pathways through which others become visible, encounterable and consequential are algorithmically organised. Rather than treating recommendation systems only as content-filtering technologies or behavioural optimisation tools, the special issue approaches them as relational infrastructures that shape who meets whom, under what conditions, and with what social, cultural, economic and political consequences.

The concept of algorithmic sociality also helps distinguish recommendation-driven human–human relations from the increasingly prominent discussion of artificial sociality, which often centres on human–machine attachment, AI agents, chatbots and synthetic companions. Algorithmic sociality foregrounds intersubjective relations between people, while examining how those relations are structured, filtered and made possible through platform logics, interface design, metrics, governance arrangements and monetisation systems. Recommendation systems do not replace the social other; they reorganise the conditions under which social others become visible and meaningful. As such, the special issue aims to expand existing debates on platforms, algorithms and sociality beyond questions of visibility and engagement.

We invite contributions that test, refine, extend or critique algorithmic sociality across different platforms, national contexts, social groups and methodological traditions. The issue is particularly interested in work that moves beyond short-video platforms; examines underexplored platform ecologies such as music streaming, dating apps, newsletter networks, livestreaming, gaming, messaging or professional platforms; addresses creative production and media industries under recommender logics; or brings perspectives from the Global South and other non-dominant platform contexts. We strongly encourage submissions from early career researchers and researchers from historically underrepresented groups and regions, including ethnic minority, disabled, queer and Global South scholars.

Potential Topics:

• The shift from social-graph-based to recommendation-driven platform architectures
  
• Human-algorithm relations and their implications for human-human communication
  
• Recommendation systems as relational infrastructure
  
• Theoretical and conceptual approaches to algorithmic sociality, including programmed sociality, algorithmized selfhood and disconnected sociability
  
• Opportunities and challenges that algorithms introduce to social relations, such as platform-bounded relationships, cross-platform friending and the organisation of social distance
  
• The reconfiguration of content production, relational labour, distributed sociality and modular connection through algorithmic platforms
  
• Algorithmic curation, optimization, recommendation bias, (in)visibility, unequal distribution and prioritization
  
• The role of inequality, age, migration, gender, sexuality, class, race and other structural dimensions in shaping algorithmic sociality
  
• The regulation of social behaviour on algorithmic platforms, including governance, moderation, surveillance and compliance
  
• Affective, embodied and economic dimensions of algorithmically mediated connection
  
• Comparative studies of TikTok/Douyin, Instagram, YouTube, X, Spotify, Tinder, Substack, WeChat, RedNote, Bilibili and other platforms
  
• Global North/Global South comparisons and studies of non-Western or regionally specific platform ecosystems
  
• Generative AI, conversational agents and emerging systems that extend or reconfigure algorithmic sociality beyond feed-based architectures
  

Please submit an extended abstract of approximately 500 words, including references, together with a short author biography of approximately 100 words for each author.

Abstracts should clearly identify the research question or problem, argument, theoretical framework, methodology or source materials, and the proposed article’s contribution to the special issue theme.

Please send proposals to algorithmicsociality.cnmt28@gmail.comby 1st October 2026.

Authors of accepted abstracts will be contacted on 1st November 2026 and invited to submit full manuscripts by 15th March 2027.

Time, focus and community for your research on the societal impact of digital transformation

A fellowship at the Center for Advanced Internet Studies (CAIS) provides the freedom to dedicate yourself to your research and the opportunity to join a vibrant interdisciplinary community. Step away from daily work routines to gain new perspectives and build lasting connections.

As a fellow, you can spend either six or three months in Bochum, Germany. During this time, we will cover your sabbatical leave from work through financial compensation (e.g. for a teaching substitute) or provide grants of up to 2.000 € per month. In addition, we will provide a fully furnished apartment free of charge. You can invite guests for collaboration and receive financial support for research expenses. Private offices and meeting rooms with modern facilities offer optimal working conditions.

The funding program is open to excellent scholars and practitioners, to all career stages, disciplines and areas of investigation, as well as to pure research and to projects that are more applied in orientation.

You can apply for our regular open call, or for our special call “Futures of Work”.

The next deadline for applications is 31 August 2026. The earliest possible starting date for new fellowships is October 2027. Please use the application form on our website.

Find out more: https://cais-research.de/en/cais-college/fellowships/

Further questions? Please contact esther.laufer@cais-research.de

ESSACHESS – Journal for Communication Studies (Special Issue, Vol. 19 No. 1 (37))

https://essachess.com/3/index.php/jcs

• Introduction - Media, Democracy, and Citizen Perspectives in Contemporary Europe
  

Elisabetta RISI, Giulia FERRI, Andrea MICONI (Authors)

Dossier

• Democracy in Question, Media in Doubt: Citizen Perceptions of Media Autonomy in Slovenia
  

Brankica PETKOVIĆ, Mojca PAJNIK (Author)

• Journalists and Audiences in Portugal: Dissonant Perceptions
  

Nuno Cintra TORRES, Tatiana CHERVYKOVA, Manuel José DAMÁSIO (Authors)

• Digital Trust and Authority: Political Communication Practices and Participation Among Italian Citizens
  

Elisabetta RISI, Giulia FERRI, Andrea MICONI (Authors)

• “A Part of Me Will Always Be Suspicious”:Citizens, Media, and Democratic Trust in France
  

Morgane LE GUYADER, Inna LYUBAREVA, Romain BILLOT (Authors)

• Assemblages of Trust: A Discursive-Material Analysis of Czech Citizens’ Perceptions of Media and Democracy
  

Karolína ŠIMKOVÀ, Jeffrey WIMMER (Authors)

• Mediated Contact with Politicians and Citizens’ Experiences of Democracy
  

Kristiina RAUD, Alessandro NANÌ (Authors)

• Exploring the Whole Picture: A Contemporary Perspective on Democracy, Societal Change, and Europe`s Information Environments
  

Maren BEAUFORT (Authors)

(About MeDeMAP, see https://www.medemap.eu/)

Varia

• Critical Minds, Tolerant Voices: Media and Information Literacy as a Tool against Hate Speech
  

Reem AL-ZOU’BI (Author)

• Les dynamiques de contre-pouvoir dans le discours contestataire numérique des étudiants en médecine au Maroc : cas des contestations de 2023
  

Anas MOUTIA (Author)

• Effect of Information Quality, Ease of Use, and Digital Public Communication on Local Taxpayer Compliancewith Trustin Government as Mediator
  

Rangga Galura GUMELAR, Iman MUKHROMAN, Daffa Leroy GALURA GUMELAR (Authors)

Research notes/Book reviews

• La spiritualité numérique, la sacralité de l’IA et la vie religieuse dans le métavers: hypostases du nouveau matérialisme religieux
  

Nicu GAVRILUTA (Author)

Deadline: August 31, 2026

The ICA Communication History Division Book Award, sponsored and managed by the Division, invites nominations for academic books in media and communication history published in 2024, 2025, or 2026. Books should align with one or more of the scopes of the Division. Only ICA members may submit nominations, and books nominated by Communication History Division members will be given priority. Books can be single-authored or co-authored, while edited books are not eligible. Submissions open on 5 June 2026 and close on 31 August 2026.

Specific rules need to be followed to nominate a book. All information can be found here: https://www.icahistory.org/awards.html

Women*in AI, Humanities, & Social Sciences (WAIHSS) is a global initiative created by and for women* across the humanities and social sciences whose research focuses on artificial intelligence.

The initiative launched on June 23 and is organised by Nadja Schaetz, Sejin Paik, Anna Schjøtt, and Dieuwertje Luitse. As female scholars we firsthand witness the enduring barriers that limit equal participation in academia and are increasingly concerned about the sweeping cuts to education and scholarship funding that compound them. In response, WAIHSS aims to facilitate community building to counteract these developments by creating a platform and support structure dedicated to female social sciences and humanities scholars researching AI.

Creating space for critical research into AI from a multitude of perspectives is particularly crucial now, as AI development remains male-dominated and academic freedom is increasingly under threat. 

We are launching this fall with an online launch event on September 1, followed by an online dialogue series and our first hybrid event -- a preconference workshop at the Association of Internet Researchers 2026.

Visit our website, www.waihss.com or follow us on LinkedIn, to learn more about the initiative and our upcoming events. Here you can also find out more about how you as an individual scholar or institution can join us in this work and become part of the WAIHSS community.

* WAIHSS uses self-identification as a guiding principle. We honor each person's understanding of their own gender identity. We recognize that gender exists on a spectrum and that the barriers WAIHSS addresses affect people across diverse identities. We welcome all individuals who feel aligned with our mission and community.

Salla-Maaria Laaksonen, Mervi Pantti & Olga Dovbysh

Emerald, 2026

Developing a critical understanding of the environmental responsibility and accountability of digital platforms, Platforms and the Planet focuses on the environmental responsibility of the so-called Big Tech, their digital media platforms and their role in the sustainability transition as a discursive, material, and ethical question.

Bringing together a multidisciplinary group of authors, this edited collection is compelling reading for a wide range of researchers and students both in the fields of media and communication studies, digital sociology, and other fields of critical technology studies and environmental studies.

https://bookstore.emerald.com/platforms-and-the-planet-hb-9781836621737.html

August 26-27, 2026

VU Amsterdam

Organized by the VU Chair for Media and Culture 

About the symposium:

What are the planetary burdens of media technologies? What cultural and aesthetic frameworks shape how nature is depicted on screen?

The international symposium media/environment: Screens and Streams in the Age of Climate Crisis confronts the question of how media both represent and materially transform the natural environment in a warming world.

Prominent speakers from three continents will present the latest research on topics ranging from the materiality of film and the finitude of resources to images of extraction, film archives, the colonial and environmental history of photochemical cinema, media’s role in the environmental transformations of the Great Acceleration, and the ecological footprint of digital screen culture and artificial intelligence.

A roundtable brings together perspectives from the media industry, cultural institutions, and archives on how these sectors are responding to the concrete environmental challenges of media tech.

In collaboration with Rialto VU, the symposium also features a short film program exploring the extractive history of celluloid, food production, and oceanic dead zones.

Are you interested in media studies, environmental humanities, science, technology, history, or the arts? Whether you are a scholar, student, practitioner or simply curious, this symposium invites you to join us in rethinking media’s planetary footprint from the archive to the algorithm, from screen to stream.

Speakers:

Michelle Henning (University of Liverpool):  Photography’s Broken Contract: Environmental Relations and Technological Imaging

Fieke Jansen (University of Amsterdam): Securing the Market: AI, Predicting Hazards, and Managing Vulnerability

Sigrid Kannengießer (University of Münster) Environmental Perspectives on Digital Technologies and AI Infrastructures

Salomé Lopes Coelho (Utrecht University): Ecologies of Extractive Violence Across Non-Fiction Film

Ryo Okubo (Meiji Gakuin University, Tokyo): Materiality and Finitude: Munesuke Mita’s Theory of Information and Japanese Media Studies

Michał Pabiś-Orzeszyna (University of Lodz): Intertwining Scopes: Assessing the Environmental Footprint of an AI-Driven Art Project

Elena Past (Wayne State University, Detroit): Fire and the Archive: Climate Change, the Mediterranean, and the Istituto LUCE

Kirsty Sinclair Dootson (University College London): Reverse Engineering Climate Collapse: Or Doing Film History Backwards

Hunter Vaughan (Emerson College, Boston): Sustainable Digitalisation? The Social Threats and Environmental Costs of a Digital Screen Culture

María Vélez-Serna (Independent scholar): Operative Images and Environmental Futures in Extractive Landscapes

Anne-Katrin Weber (University of Lausanne): Entangled Flows: Automobility and Television in Postwar Switzerland 

Wu Chi-Yu (Media artist, Taipei): Does Celluloid Dream of Camphor Forests? Colonial Extraction and the Material Prehistory of the Moving Image

Film Screening:

Stories of Celluloid: Phantom Gaze / Terra Nullius Data (2025, Wu Chi-Yu)

Dead Zones (2023, Suzette Bousema)

Agrilogistics (2021, Gerard Ortin)

Bliss Point (2023, Gerard Ortin)

To join the symposium, please register via https://mediaenv.ehc-amsterdam.nl/.

For questions contact Judith Keilbach, VU Amsterdam, j.i.keilbach@vu.nl

Ludwig-Maximilians-Universität München

3 years (initial contract), starting 1st October 2026. Annual gross salary of between 44,493 and 63,239 Euros, depending on qualifications and experience.

Application deadline: 15th July.

https://job-portal.lmu.de/jobposting/bc6a8769c81b40692c353e8eeab443df8680d1fe0?ref=homepage

The Department of Media and Communication at the Ludwig-Maximilians-Universität München is one of the largest and highest-ranked communication science departments in Germany. The Department invites applications for a PhD candidate to work with Professor Neil Thurman and his team.

This PhD position focuses on media audience measurement, understood as the ongoing, industrialised measurement of media audiences that produces television ratings, newspaper and magazine readership and circulation figures, and estimates of websites’ and apps’ unique users and related metrics.

The candidate will investigate audience measurement as a central infrastructure of modern media systems: a set of practices through which audiences are counted, valued, represented, and made actionable for commercial, regulatory, and research purposes.

The topic can be approached from a range of perspectives, including the economics and organisation of the audience measurement industry; its historical development across the twentieth century; its changing forms in the twenty-first century; and the methodological challenges of measuring audiences across multiple platforms, devices, and services.

The candidate may also explore critical debates surrounding audience commodification, surveillance, transparency, and advertising fraud, as well as the disruption created by streaming services, social media platforms, and other digital intermediaries.

The focus is intentionally broad, allowing the successful applicant to develop an original research project on how audience data are produced, governed, contested, and used in practice by media companies, advertisers, policymakers, and researchers.

Tasks and responsibilities:

• Conduct independent and collaborative research on the above-mentioned topic, including as part of the preparation of a doctoral thesis (either a monograph or a cumulative dissertation)
  
• Contribute to the development of new research projects (external funding/grant proposals)
  
• Teach approximately 2.8 contact hours per week per semester (3.75 SWS). One teaching hour (SWS) equates to 45 minutes of contact time
  
• Contribute to other teaching and administrative activities
  

Qualifications:

• Applicants must hold a Master’s degree in a relevant discipline — such as media and communication, sociology, history, economics, management, law, or public policy — and should have a strong academic interest in audience research, media industries, media history, media policy and regulation, media economics, or related work on quantification, platforms, and metrics
  
• Strong interest in the above mentioned research topic
  
• Fluency in English (written and oral)
  
• Working knowledge of German is an advantage
  

Benefits:

• A funded (75%) PhD position (initially for three years) on the TV-L E13 salary scale
  
• Annual gross salary of between 44,493 and 63,239 Euros, depending on qualifications and experience
  
• A pleasant, collegial work environment in one of Germany’s largest and highest-ranked media and communication departments
  
• A workplace in LMU’s Department of Media and Communications, which occupies a centrally-located building on the edge of Munich’s English Garden park. Munich is an attractive and vibrant city close to the Alps
  
• Close supervision within a collaborative and supportive research environment
  
• The opportunity to pursue a Ph.D
  
• Flexible, family-friendly working model (e. g. Some remote work is possible).
  
• People with disabilities who are equally as qualified as other applicants will receive preferential treatment.
  

How to apply:

Applications should be sent as soon as possible to Prof. Dr. Neil Thurman at <neil.thurman@ifkw.lmu.de>, and at the latest by 15th July 2026.

The following materials (in English only) should be included, as a single PDF:

• Covering letter describing your suitability for the position.
  
• CV including publications (if any).
  
• Academic transcripts and certificates.
  
• Contact details of two referees.
  
• Examples (if any) of academic writing in English (publication(s), BA and/or MA theses).