ECREA WEEKLY digest ARTICLES

Deadline (abstracts): April 30, 2019

IJFMA is preparing a special issue titled ‘Flow and Archive’ dedicated to Television and to its current challenges

The digital turn has allowed television to be reimagined after the networked computers. Following the telephone and radio, the new paradigm inspiring the future of television are the networked computers, their social networks and the participatory visual culture established on the aftermath of the twentieth century cultural industries. After the liveness and flow, definitional components of television, we are currently offered with DVR-mediated television experiences and collections of short videos which can be uploaded, viewed and shared by the viewer. By becoming searchable and accessible online, television provides a similar experience to the archives and to the video aggregators that entertain the new generations of cellphone viewers. The discussion about the future of television not only makes it worth thinking about its past, the cultural value of its equipments and its most resilient genres, but is certainly an opportunity to analyse how TV journalism is challenged by social networks, and how its public service can be revalued.

IJFMA welcomes papers addressing one or more of the following themes:

• Early and current screen practices
• TV superseded equipments as material and cultural heritage
• TV and media participatory turn
• TV and transmedia industries
• Old and resilient TV genres
• Flow versus archive as a television challenge
• Memory and the obsolete in online video collections
• Social networks and other new challenges to public service broadcasting;

Contributions are encouraged from authors with different kinds of expertise and interests in media studies, television and media history.

Abstracts submissions are due by April 30, 2019.

Full papers deadline: May 30, 2019

Please find submission informations at http://revistas.ulusofona.pt/index.php/ijfma/about/submissions

Journal Website: http://revistas.ulusofona.pt/index.php/ijfma

For any query, please contact: victor.flores@ulusofona.pt

October 3-5, 2019

Leeds Beckett University, UK

Deadline: April 15, 2019

Leeds Beckett University is looking forward to welcoming the ECREA Crisis Communication Section to the 6th International Crisis Communication Conference in 2019.

The conference will be Thursday 3 October- Saturday 5 October, 2019 in Leeds, United Kingdom.

The deadline for abstract submission is 15 April, 2019 with notifications sent on or about 15 May, 2019.

Click here  for more information on abstract submission.

Click here to submit your abstracts.

We are looking for an exploration of new approaches to theory, methodology, education and training, practice, as well as the intersection of technology in the context of risk and crisis. We are looking for cross-disciplinary work with communication, journalism, business, marketing, health, law politics, policing, cross-cultural research, education and training. We are inviting you to think about where the field has been and where it is can and should go. We would especially invite our practitioners to share their own experiences and best practices so that we can all learn from each other.

Traditional research presentations, panel discussions, demonstrations, and theme discussions will all be welcome. We will provide additional details and guidelines over the next several months.

If you have any questions or feedback about the conference, please contact Dr. Audra Diers-Lawson via email at audra.lawson@leedsbeckett.ac.uk or connect with us in our Facebook group — ‘ECREA Crisis Communication Section’. We have reminders and will post all information there as well.

Pre-Conference

We are planning three pre-conference activities.

Pre-conference 1: Graduate Student Workshop — for graduate students, we will offer a workshop ahead of the conference. More details on the workshop will follow. The cost for the graduate workshop, inclusive of the simulation or social media workshop is £80. This will include lunches, tea, and snacks throughout the day as well as any materials for the workshop.

Pre-conference 2: Simulation Workshop — open to all conference participants. This half-day session will have you experience a crisis simulation, discuss integrating simulations into classroom and training, and recommendations for developing simulations with Dr. Audra Diers-Lawson. This will take place on Wednesday 2 October from 1pm-4pm and will include a buffet lunch. Cost £30 for full conference attendees.

Pre-conference 3: Social Media Analysis — open to all conference participants. This half-day session will provide an introduction to Twitter analysis by Daniel Vogler, the Head of Research for the Research Institute of Public and Society at the University of Zurich. This will take place on Wednesday 2 October from 1pm-4pm and will include a buffet lunch. Cost £30 for full conference attendees.

Other Conference Information

We anticipate a full conference schedule on Thursday and Friday with a half-day on Saturday. Conference costs, inclusive of morning and afternoon snacks, teas, and coffees as well as a full hot buffet lunch on Thursday, Friday and Saturday:

Student (MA or PhD) Rate – £120

Early Bird Rate from 15 May to 31 July – £175

Full Rate from 1 August to 15 September – £215

Late registration from 15 September-3 October – £350

Special practitioner two-day rate (Wednesday & Thursday for Pre-Conference and Day 1) – £100

We will be hosting a reception on Thursday evening as well as the Cultural Event and Dinner on Friday. Costing and more details will be available ahead of conference registration.

Travel & Accommodation in Leeds

We will provide more details closer to the opening of registration. However, Leeds is an easy city to get to and with its compact city centre, is walkable from about anywhere in the city centre. There is also a good bus network in the city of Leeds. We would also recommend either Uber or Amber cabs for taxi — both have apps that you can download to your phones making taxi pick up easy. These are also the least expensive taxi options.

We recommend flying into either Leeds Bradford Airport directly or Manchester Airport. These offer the most convenience to Leeds. Generally, we would recommend against flying into London.

We will post posting more travel information about our official conference hotel and other hotels in the area to help you with your travel planning.

Special Issue of African Journalism Studies

Deadline: May 1, 2019

Guest Editors:

• Idil Osman, SOAS University of London, UK
• Susana Sampaio-Dias, University of Portsmouth, UK
• Judith Townend, University of Sussex, UK
• Hayes Mawindi Mabweazara, University of Glasgow, UK

This special issue seeks to provide an update on research about contemporary journalism practices and the evolving nature of journalism and media regulation in Africa. There has been a growing interest in studying journalism and media on the continent and the varying political landscapes in democratic and non-democratic or conflict-torn African countries highlight the need to critically analyse how the processes of media regulation and media policies are evolving in each particular context.

The circumstances for the practice of journalism and media production in Africa have often been debated from representation and ethics-centred perspectives; this special issue aims to gather a range of contributions that complement these studies by further exploring the complexity and range of prevailing regulation and policy matters that implicate and affect journalism practice. By acknowledging examples of emerging regulatory systems, the presence of old problems that may have taken new forms, or new problems that stem from old practices, we aim also to provide comparative insights that bring up to date and further our understanding of how journalism is protected, practised and regulated in Africa.

We welcome submissions that take a theoretically informed approach as well as studies that examine country-specific or comparative case-studies. We invite contributions across different and relevant disciplines, including collaborations between early career scholars. We particularly invite contributions addressing any of the following topics:

• Empirical and theoretical approaches to the examination of media law in Africa.
• The origin and development of media legislation, development of case law and regulatory systems governing, for example, the printed press, broadcasting, social media, election reporting and advertising
• Transnational relations between African journalists and diasporic counterparts
• Media regulation and implications for democratisation
• The relevance or irrelevance of former colonising countries in the development of news practices and legal/regulatory systems
• The globalisation of news and the challenges of international law, policy and regulatory influences
• Press freedom and media regulation in fragile contexts
• Media state funding, public service and or privatisation
• The impact of new technologies (including social media) on regulation and practice
• The digital divide, digital literacy and the challenge of regulating online media and ‘fake news’

Prospective authors should submit an abstract of approximately 250 words by email to the Guest Editors: Idil Osman (io7@soas.ac.uk), Susana Sampaio-Dias (susana.sampaio-dias@port.ac.uk), Judith Townend (judith.townend@sussex.ac.uk) and Hayes Mawindi Mabweazara (hayes.mabweazara@glasgow.ac.uk).

All abstracts will be reviewed by the editors and successful authors will be invited to submit a full manuscript via the African Journalism Studies ‘ScholarOne Manuscripts’ site where they will undergo peer review. The invitation to submit a full article does not guarantee acceptance of the final paper into the special issue.

Timeline:

• Deadline for abstracts – 01 May 2019
• Notification of proposal acceptance – 13 May 2019
• Completed papers – 31 August 2019
• Final revised papers due – 29 November 2019

Deadline: September 1, 2019

Department of Communicology and Journalism (Faculty of Philosophy Niš, Serbia) is announcing call for papers for the first issue of peer-reviewed journal “Media Studies and Applied Ethics” (MSAE).

MSAE encourages contributions from MA and PhD students, media professionals as well as researchers in the field of media studies and applied ethics.

MSAE accepts original research, review article, critical essays, perspective pieces and book reviews related to communication throughout the world.

MSAE welcomes papers on topics such as: Media and society; Media and culture; Media history; Media and entertainment; Media and religion; Media and violence; Media and advertising; Media effects; Audience and reception studies; New media; Journalism; Communication; Media philosophy; Media aesthetics; Visual Communications; Media Law; Applied Ethics (Journalism ethics, Media Ethics, Marketing ethics, Business Ethics).

Considering the aforementioned thematic and the field of your academic interest you are invited to send us your paper.

Papers are to be sent to an e-mail address: msae@filfak.ni.ac.rs

Send papers until: September 1, 2019

For more information visit https://msae.filfak.ni.ac.rs/.

Special Issue of Information Communication and society

Deadline: May 31, 2019

Published in 2020 (online); 2021 (print)

Edited by Cosimo Marco Scarcelli, Tonny Krijnen and Paul G. Nixon

From Trump’s discourses to the everyday life performances in digital platforms, from representation of LGBTQ+ in TV programs to pornography, the relation between gender, sexuality and media is ubiquitous and strongly embedded in everyday life. The definitions of gender and sexuality are in constant flux with the media playing a key role in shaping, articulating, representing and performing these definitions.

The current, general openness and debate on gender and sexuality is built upon the struggles of many groups and individuals to bring these issues into the mainstream. Issues that have important influences on the ways in which we live our lives and view those of others.

Because of political and cultural changes, questions connected to sexual identity and gender are constantly under attack, whilst opposite tendencies of reconfirming patriarchal scripts and resisting challenging, and redefining these paradigms are simultaneously present.

Considering gender and sexuality as social and cultural construction, this special issue aims to explore issues able to focus on the contemporary social changes that are connected to gender and sexuality in and through media. The articles will be concerned, on the one hand, with exploring aspects of the changing social and sexual landscape, on the other hand, on the ways in which media seem to stubbornly recycle gender and sexual stereotypes. How do these two tendencies relate to one another? How do contemporary gender ideologies influence media perspectives and practices? Do mediated representations reinforce, echo, or challenge social hierarchies based in differences of gender and sexuality? How do new media technologies feed into discourses on gender and sexuality?

Potential papers could explore new researches at the forefront of media and communication practice and theory and the nuances of contemporary sex and gender scripts as they are played out in popular media looking at both the more traditional and normative interpretation of gender and sexuality as well as texts that challenge and therefore move beyond the heteronormative and sexist.

We are looking for contributions that analyse media both in terms of representation and agency and that will be able to reflect different cultural conditions and experiences, contrasting perspectives in terms of analytical orientation, and geographically dynamic subjects.

Possible topics could include:

• adapting and resisting gendered and sexed identities
• forging new normative gendered identities
• dating and hook up apps
• use of social networking sites, including Instagram, Facebook, Twitter
• rebranding feminism
• pornography
• datafication of gender and sexuality
• representation of gender and sexuality in popular media
• gender and media production
• gender, sexuality and technologies, technology of pleasure, sex bots.

Please submit your 300 word abstract along with the author’s bio (100 words) and author’s full contact details before 31 May 2019.

Please upload you abstract using this link: https://www.dropbox.com/request/OXDnBkBIewJldq14OZIi

Please direct enquiries to Cosimo Marco Scarcelli, Tonny Krijnen and Paul G. Nixon

• marco.scarcelli@gmail.com
• krijnen@eshcc.eur.nl
• p.g.nixon@hhs.nl

Publication schedule:

• 31 May 2019: Deadline submission abstracts
• 30 June 2019: Decisions on abstracts
• 1 February 2020: deadline full paper submission
• 1 February - 15 April 2020: Peer reviewing
• 22 April 2020: Comments to authors
• 8 May 2020: Deadline submission revisions
• 21 May 2020: Final decisions

Damian Guzek

The book provides an empirically based analysis of changes on how various political and denominational actors seek to influence the Church and state relationship, as well as how we understand the idea of the secular state. A set of case studies shows how and why changes in the coverage of the secular state and Church-state relations have followed the dynamics of media logic. By establishing a grounded theory based on media content, legal regulations and political party programs in the years 1989–2015 as well as a current survey, the author throws new light on the theory of mediatization. The book demonstrates that the disseminated idea of the secular state is largely a result of the adaptation of both political and religious representatives to a dynamically changing media logic.

The book has been published in series Studies in Communication and Politics.

Purchase here.

Authors:  Marco Gui, Tiziano Gerosa, Andrea Garavaglia, Livia Petti, Marco Fasoli

The “Digital Well-being - Schools” project carried out the first randomised trial in Italy on the efficacy of media education. The impact of a systematic media education course was tested in a sample of randomly selected classes, compared with a control sample.

DOWNLOAD THE REPORT HERE

Deadline: May 1, 2019

Instructions:

Media and Communication / Mediji i komunikacije - is scientific journal  for media, communication, journalism and public relations.  The journal publishes scientific, professional, reviewed, translated  works, book reviews and original research papers from the social  sciences and humanities - in the field of media, communication,  journalism and public relations. 

Only original papers that have not been and will not be published in  other publications will be accepted which will be guaranteed by the  author, except by special agreement with the publisher of the journal.  Publisher reserves the right on published works, unless otherwise agreed  with the author. 

The journal will publish the papers in languages of former Yugoslavia or  in English, which were confirmed by two anonymous positive reviews of  the international media experts. The author is responsible for the  content of the paper. 

The maximum volume of original scientific researches is up to 7000  words, professional and translated works up to 3000 words, reviews up to  1000 words. 

The first page should contain basic information about the author and  co-authors and will include: name, academic position and function, the  name of the institution and e-mail. For works that originate from the  doctoral thesis, master's thesis or research projects in footnote should  be indicated the name, position and college where it was defended, or  the name of the program within which the work was created, and the name  of the institution that financed the project. 

The criteria for preparation of the work

The paper consists of a title, abstract, introduction, subtitles,  conclusion and references. 

Font of the work is Times New Roman, size 12, single spacing. 

Abstract in length up to 300 words with a maximum of five keywords,  contains the subject and purpose, hypotheses, methods, results and  conclusions. 

Footnotes are used at the bottom of each side for additional comments  and continuously numbered in Arabic numerals. 

Photos, charts, tables, and other contributions must have an ordinal  number, title and explanation of marks. Illustrations should be marked  and submitted as separate documents. 

The quotation system in the text 

The text should cite all sources using the Harvard system of citation. 

References 

For a list of references the Harvard system should be used stating as  follows: last name, first letter of the name of the author/editor (year  of publication). Title (in italics). Place of publication: Publisher.  In the bibliography lists only quoted works can be sorted alphabetically.

Methods of delivering the work

Papers should be submitted electronically via email 

mediandcommunication@gmail.com  

Other information

The electronic edition will be available on the website of the journal 

www.media-com.me  

Publisher reserves the right to published works, unless otherwise agreed  with the author. With every further publication of the work in printed  or electronic journal should be include as a source. 

Papers are reviewed by two anonymous reviews. 

(Papers by invitation will not be reviewed) 

The editorial board reserves the right not to consider works that do not  meet the requirements of this Instruction. 

The journal is published twice a year in June  and in December. 

Please send any enquiries to rabrenovic.andrijana@gmail.com 

Manchester Metropolitan University

Deadline: April 29, 2019

This is a 1.0 FTE permanent lectureship in political communications. The primary role of the successful applicant will be to contribute to the continued development of our successful MA in International Relations and Global Communications by supporting and expanding on the existing portfolio of units on the programme. The candidate will also be expected to develop units for delivery at the undergraduate level and to contribute, as appropriate, to existing core undergraduate teaching. Other responsibilities will include the supervision of undergraduate and postgraduate dissertations and acting as a personal tutor. The successful candidate for this post will be an expert in a relevant area of political communications, including, but not exclusive to, discourse, rhetoric, propaganda, data and politics, data rights and data justice, digital politics and communication governance. They will hold a good first degree and a doctorate in a relevant subject area. They should have experience of teaching at both the undergraduate and postgraduate levels.

The Faculty of Arts and Humanities at Manchester Metropolitan University is a unique environment where Humanities, Languages and Social Sciences sit alongside the Manchester School of Art and the Manchester Fashion Institute. Student experience is at the heart of everything we do. We are proud to offer state-of-the-art facilities, including digital and technical workshops, studios and gallery spaces designed to enhance learning and collaboration.

Situated within the Arts & Humanities Faculty, The Department of History, Politics and Philosophy brings together the expertise of over 50 academic staff. The Politics, International Relations and Public Services team are a highly professional and collegiate group who have been proactive in establishing innovative programmes of study to serve the needs of a 400+ undergraduate and postgraduate student population. Our staff have a variety of research specialisms including US foreign policy, the EU, political philosophy, civil society and social movement studies, energy politics, and critical approaches to international relations.

It is expected that the post-holder will join and make a contribution to one of the Faculty’s research centres, ideally the Research Centre for Applied Social Science (RCASS) or the History Research Centre (HRC). The successful candidate should have a growing record of publications, commensurate with their career stage, that would place them in the top-quartile of field, and be able to demonstrate REF 2021 eligibility.

The anticipated start date for the successful applicant is August 2019.

To apply: Please attach your CV and covering letter detailing how you meet the person specification to the online portal

For an informal discussion regarding the requirements of the role please contact Dr Steve Hurst (S.Hurst@mmu.ac.uk)

More here

Middlesex University London, Faculty of Arts & Creative Industries

Deadline: April 7, 2019

Starting Salary: £37,530 to £43,111 per annum pro rata

Grade: Grade 7

Contract Type: Permanent

FTE: 0.6

Date Posted: Tuesday 19 March 2019

Closing Date: Sunday 07 April 2019

Reference: ACI50

Job Details: Job Description & Person Specification

Performing Arts at Middlesex has a long-established tradition of excellence in training and educating students at undergraduate and postgraduate levels and is one of the leading universities in the UK for dance, music and theatre, recognised nationally and internationally for its high calibre teaching and research. We pride ourselves in offering a vibrant and inclusive environment, instilling our students with a sense of confidence, passion, and achievement. Creative collaborative learning, in and beyond the curriculum, is a key feature of the student experience across the Arts and Creative Industries Faculty. This, together with the vicinity of London's many theatre and dance venues in this global city, makes for a unique learning experience.

The Performing Arts department seeks to appoint a Lecturer (Practice) in Popular Music (0.6FTE) to lead and contribute to our practical provision. The candidate will be expected to specialize in musicianship and performance, song writing, or studio production, ideally with the ability to contribute to more than one of these subject areas. The role will typically be held by an experienced practitioner/emerging academic. The successful candidate will contribute to the student learning and teaching experience, and to the research or professional practice and knowledge transfer profiles of the Faculty. The post holder will work within an established academic team.

Should you wish to discuss the job in further detail, please contact Dr Richard Osborne (Programme Leader, BA Popular Music) R.Osborne@mdx.ac.uk.

Apply here.